Version française - English version |
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The Project of Women's Lives, Artists' Views Definition : "Women's Lifes, Artists' Views" is a project focusing on the experience of Kurdish women in Iraqi Kurdistan. It is initiated by the French Organisation La Pluie d'Oiseaux (Raining of Birds), and developed and carried out with two Kurdish women organisations: the Women Cultural and Information Centre (WCIC) based in Sulaimanya and the Kurdish Women Action against Honour Killing (KWAHK) in London. |
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What is the goal :
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| The aim of the project is to shed light upon and raise awareness about the realities faced by women in Iraqi Kurdistan. It seeks to offer an opportunity to Kurdish women from different backgrounds to make their experiences known and their voices heard. This is pursued by combining the narration of individual stories with artistic interpretations of these testimonies, in an ensemble echoing the call for a better world. Also, the project looks to inform public opinion of the aspirations and way of life of women in this part of the world, with the aim of generating deeper reflection. Finally, this is part of a process aimed at breaching isolation and establishing a dialogue between Kurdish women and the world beyond their immediate locality. |
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Background of the project:
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Women's lifes, artists's views was born in March 2002 during a visit by Olivier Touron, a photojournalist, in Iraqi Kurdistan. Olivier, representing the French organisation La Pluie d'Oiseaux met a group of women activists who expressed their desire to work on a joint project about the lives of women in Kurdistan. From this encounter the project came to life and was baptised "women's lifes, artists's views". Back in France, Olivier Touron and other representatives of the Raining of Birds met members of the Kurdish Women Action against Honour Killing and decided to carry out the project together with the feminist organisation Women Cultural and Information Centre in Sulaimanya. All the while, Saddam Hussain was still in power and the constraints upon organisation were considerable, yet from mid-2002 the project rapidly began to come to fruition.
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Elle rencontre des femmes et leur demande de dessiner un oiseau. |
Puis elle les prends en photo avec leur dessin. elle écrit un court récit de la vie de chacune de ces femmes. Elle transmet les dessins d'oiseau, les récits et les photos à des peintres. |
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Development of the project: |
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Since March 2002, Talar Nadr from the organisation WCIC has been working on the ground to develop the project. From Halabja in the south to Balissan in the north, Talar travelled hundreds of kilometres to meet and interview women. She encountered difficulties in the beginning to talk to the women and take their pictures. According to Talar "they were afraid of reprisals from the regime". The women were chosen from different socio-economic and cultural backgrounds. During interviews they would tell their story and draw a picture of a bird, the symbol of freedom. Talar then photographed each woman with her drawing. Later, the story, the symbolic bird and their picture were given to a woman artist to make a painting. The ensemble of representations made their way to France in January 2003, just before the war started. Arriving in France, the text of each story (provided in Kurdish, French and English), the photograph and painting were framed as a distinctive portrait of each woman in question. As a whole, there are 34 paintings representing 34 lives deeply marked by pain, suffering and an extraordinary struggle for freedom and justice. |
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Who are these women? They are between 7 and 54 years old. They carry in themselves the suffering of the Kurdish people: imprisonment, physical and psychological torture, deportation, life in the concentration camps, chemical bombardment, exodus and genocide. Their history witnesses one of the main human tragedies of the 20th century. The stories are not only the story of Rezan, Nasrin, or Shilan; it is the story of all Kurdish women. Although they are mainly victims of the dictatorial baathist regime under Saddam Hussein, these women are also victims of the patriarchal system. Their bodies, spirits and lives are appropriated by the male members of their families and community, who subject them to another form of violence, no less terrible than the violence of the State. However, these women are not only victims, they also intervene to resist. They are writers, women military officers, musicians, working mothers and so on. Each wages combat against injustice and repression, to make way for a better life. |
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"DEVENIR" avec France Liberté - Fondation Danielle Mitterrand et l'Envol d'Alcyone |
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![]() Danielle Mitterrand et Nazand Begikhani devant Vies de Femmes/Vues d'artistes |
Les 10 et 11 octobre 2003, les association KWAHK et la Pluie d'Oiseaux ont été invitées au colloque "Devenir - Pour une culture de la paix et du développement durable" (avec entre autre Albert Jacquard, Pierre Rabhi, Jean-Louis Etienne, Guy Hascoët, Nicolas Hulot, Marcho Doryila, le Dalaï Lama,...) par la Fondation Danielle Miterrand - France Liberté.
Ce fut l'occasion de montrer les prémices de l'exposition "Vies de Femmes/Vues d'artistes" et de prendre la parole lors d'une table ronde sur le thème de la Liberté. |
![]() Danielle Mitterrand, Nazand Begikhani, Edith Henry et Mylène Sauloy |
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KWAHK (Kurdish Women Action Against Honour Killing) est un réseau d'organisations féminines, qui travaillent pour les droits des femmes kurdes. Il a été créé en Mars 2000. L'objectif principal de KWAHK est de réveiller la conscience nationale et internationale sur les questions de la violence contre les femmes dans la communauté kurde au Kurdistan et dans la diaspora. Elle cherche aussi a identifier les stratégies et les procédures légales pour combattre les différentes formes de violence contre les femmes kurdes, en particulier les crimes d'honneur.
Kwahk s'est engagé auprès de la Pluie d'Oiseaux dans le projet «Vies de Femmes / Vues d'Artistes». |
![]() Kwahk's website (in english) |
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Les Diaporamas de la Pluie d'Oiseaux et du Kurdistan
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